dressage · mustangs

JB Andrews, 1986-2011

I can’t remember who first told me about JB Andrew. Probably someone who saw me valiantly trying to teach my little mutt of a mustang to go on the bit and wanted to give me inspiration. But I went home and read all about him, and over the years I followed him from afar. I told people all about him when they seemed surprised that my mustang can be a dressage horse.

Last week, I did an idle internet search for the first time in a long time and found out that JB Andrews died 18 months ago. I’ll admit it: I broke down and cried at my desk. At work. At lunch, but still. Ack.
Who was JB Andrews, you may ask? Arguably the most successful BLM mustang of all time. When people talk about BLM mustangs succeeding in traditional sporthorse disciplines, they talk about Andy first – and then they talk about all the other mustangs.

He was captured as a weanling out of a herd in Nevada in 1985, and he was started in a prison program in Colorado – “JB” stands for “Jailbird.” His first owner, Ginger Scott, noted that he had some dressage talent and soon a friend of hers named Kelly O’Leary (later Boyd) got the ride.

By 1994, at age 9, he made his debut at Prix St. Georges. He and Kelly trained with Jan Ebeling, and he had matured to an astonishingly large 16.3 hands with size 5 feet. (To give you some context, Tristan is on the high end of average size at 15.1 hands. They are wild animals, who don’t often grow to typical domestic sizes.) He wasn’t rocking the whole world, but he was competitive and successful, and appeared on national leaderboards.

In 1997, he became the first mustang to appear at Dressage at Devon (and for a long time the only, until Padre was entered as an in-hand stallion).

By 1999, at 14 years old, Andy was showing at Intermediaire II and schooling the Grand Prix movements and tests. He would never make his show ring debut at that level, however, due to deteriorating hocks. He was retired to pasture in 2000.

It’s not clear to me what exactly he died of, but an article mentions that a malignant carcinoma was found behind his eye in 2009, so it seems safe to assume that’s what ended his life.

Rest in peace, big beautiful boy. You continue to inspire me and so many others.

JB Andrew at Kelly Boyd’s website
Eurodressage Profile: JB Andrew
JB Andrew: Mustang Magic (book at Amazon.com)

dressage · lesson notes · massage

Inspiration

Last night, Tris had a massage scheduled (or re-scheduled, I should say, as it was meant to happen on the day his hives blew up, but thankfully that is in the past). My friend was running a bit late so I groomed him and then took the opportunity to wander into the ring to watch a lesson.

I’ve always loved sitting and watching lessons when I have some downtime, whether it’s friends, strangers, or the trainer him/herself. It’s a good bonding experience with others who are watching and I always come away feeling inspired by something I’ve seen.

Last night was a doozy. R. was giving a local eventing trainer a lesson in flying changes on one of her schoolmasters, a beautiful gray Lusitano who has been there, done that, and whose specialty is the freestyle. He’s a wonderful, kind soul that everyone adores.

Watching R. teach the trainer – who will be clinicing at the barn over the winter while she’s in Florida, and is my pick to re-start Tris and I over fences – was absolutely amazing. He is already an extraordinary rider, and watching him adapt his talents to a much higher dressage level than he was used to was amazing. R. walked him through Otelo’s gaits and had him collecting from his seat and then turned them loose to try a few single flying changes down the diagonal.

I’d never seen a lesson in flying changes before, not the dressage ones anyway, and watching her work him through the singles, then up to two tempis and critique the quality of each one and the way he rode them was breathtaking.

I don’t know if Tris will ever have a flying change, not from the aids anyway (he pops them sometimes when jumping or galloping), but watching the preparation to get there – the collection, the rocking back, the lift in front of the withers, the core strength and stillness to create a space to communicate: all of that will stay with me for a long time.

(Tris’s massage went well, he is feeling great all over save for some small tightness in his right shoulder but that has been slowly decreasing over the months and will hopefully disappear entirely when his foot finishes growing out.)

dressage · lesson notes

Lesson Notes

I had the last of my boot camp lessons tonight; three lessons in 7 days, and probably the most progress I’ve ever seen in myself and my horse over the course of three lessons. I’m trying not to be too sad that the trainer is leaving for Florida because that gives me a whole winter to do my homework and take checkup lessons with the barn’s other trainers and then kick butt in the spring.

Key takeaways from last night:

– Get him straight and forward first and before all else. I was trying to supple too early, and following some previous training advice which said to get him overbent and kick him on through that. R. compared this to a kink in a hose: if he’s overbent all that forward I’m asking for gets stuck. Better to start with a straight horse and then channel that.

– When he flings his head skyward when I apply leg, don’t get suckered into fighting with him about that. Give the reins so he doesn’t have anything to brace against and KICK. Kick him until he’s very very forward and then praise him and go back to a gentler aid. So putting my leg on in the trot resulted in a head flipping, I refused to take the bait and booted him into a good rollicking canter, nearly a hand gallop, patted him, and only once the forward gear had been established did I take him back to the trot. Repeat as necessary.

– In picking up canter leads, I need to pay more attention to his shoulders. If he’s overbent to the inside, his shoulders are pointed to the outside and I’m just inviting him to pick up the wrong lead. Similarly, don’t drag down on the inside rein through the transition.

– Seriously need to work on elastic arms and shoulders. That’s the key to a more consistent contact and more even way of going.

– FORWARD. We have made big strides in this department but I need to stay on task and not settle for “more forward than last time” but really truly establish where he needs to be.

We did make the switch in his bitting arrangement. He’s going in a thinner bit with a football shaped lozenge in the French link rather than a flat piece, the bit was raised two holes, and we’ve added the flash back onto his bridle. Overall he’s much more consistent and happy in it.

He’ll get a well-deserved night off tonight. I’ll start banking barn time again and probably check in with a lesson at the end of October, but we have lots to work on in the meantime.

dressage · lesson notes

Lesson Notes

Second lesson on Tuesday, and it went really, really well. I think the 30 minute spots are a perfect fit for us right now: I have him warmed up, we zero in on a few specific issues, and then I have homework.

Warmup was a bit rocky on Tuesday, as he was hopping about rather than go forward, so I stood up off his back and urged him into a canter for a few minutes, and focused on staying forward and straight rather than anything he was doing with his head.

When R. came up for the lesson, we started by testing the response to driving aid exercises we’d been drilling and she saw huge improvement. Not perfect, but already much sharper off the aids. So now that we had laid the forward-and-straight foundation back down, we added flexion back ion.

She talked about something I’d never really parsed for myself before. If the inside rein is responsible for flexion, then there are three types of inside rein that can help achieve that flexion. The first is an indirect rein – a subtle lift and shift of the inside rein more toward the outside rein, while brings your elbow back behind your shoulder. Second was direct rein, which is straight back. Third was open rein, bringing the rein away from the horse’s neck.

Indirect rein is more for collection, is more subtle, and is a lighter aid. Direct rein is, well, more direct, and in Tristan’s case in particular I have to be careful not to kill the motor when I use it. Open rein is more for greenies who are just learning to steer (and also for oh $h!t moments on XC, I should think…).

We worked on a 20m walk circle and re-established flexion. Tris settled in beautifully, thankfully showing R. that instead of the lazy lunatic who slams into walls as in our last lesson, he does have a dressage pony in them. Within a stride or two he flexed beautifully into the inside rein and filled up the outside rein. We’re not talking FEI collection, here, but he recognized and executed the concept beautifully. We repeated at the trot, and worked through a rough patch tracking left – he is hollow to the left and over-eager to fling his shoulders to the outside. So we applied a few strides of counterbend, release, inside bend, release, counterbend, release, and he worked through it nicely.

Then we worked on layering in a half-halt for more collection into that outside rein, once he’d filled it up. R. doesn’t like to use the term half-halt when teaching because she feels it places too much emphasis on the “halt” – it’s more of a half-go, or as she calls it a connecting aid. I’ve always thought of a half-halt as that guy in the old phone commercials – “Can you hear me now? Good!”

So we broke the half-halt down into its component parts: forward energy, inside flexion, outside rein, and release. In the perfect, imperceptible half-halt these all happen practically simultaneously. I’ve never been that coordinated and in the past my half-halts have been an approximation of this but I’d like to take this opportunity to really nail them. So then we worked half-halts on the 20m circle at the trot.

One of the most useful concepts R. gave me while we were working the half-halts was about recycling energy. That’s essentially what a half-halt does: if you feel like your energy/collection level is at, say, a 2, then your next half-halt should be at a 2.5, and think about loading the hind legs, increasing the collection, etc., up to that 2.5. Then go for a 3 on your next half-halt. The idea being you’re always asking for a bit more with each half-halt and that you aren’t “leaking”” energy in between (or at least hopefully not). I am thinking of them a bit like a catalyst, too – you’re checking in, you’re putting a finger on the connection, and when you’re asking for more dressage collection you use it to recharge the battery, but if you use a half-halt out on XC or in the jump ring, you’re asking for a re-orient – “here, the jump is here, let’s touch base, let’s re-form ourselves to tackle what’s next.”

Tris was a bit tired even after that short lesson, as he used his back and hind end waaaaay more than he has. Our prescription is 10-15 minutes of this work a day for the next stretch and then we’ll check in again and take the next step. We’ll also make sure we get plenty of road hacks in there, too. 🙂

dressage · dressage tests

"Throwing" a Class

I clicked on the title of this COTH thread thinking I was going to read some gossipy chat about high stakes dressage classes and underhanded betting schemes.

Instead, it’s a discussion of whether or not it’s okay to randomly start riding whatever figures you feel like in the middle of your dressage test, if you feel that makes the ride better. Say, you feel like a 10m circle would really help out your right bend, so if it’s okay to just throw one in. The OP frames the question as schooling show with a tense horse, so that helps maybe a little bit, but I am utterly horrified.

No. No, it’s not okay to start riding whatever you feel like in the middle of a dressage test, even if you’re okay with getting dinged for error of course. That is not the point of a dressage test, which is a proscribed series of movements in specific places and specific times, one leading to the other. The transitions are part of the test.

Not only is it missing the point, it’s incredibly, staggeringly rude to the judge, to the show organizers, and to your other competitors. It’s wasteful of the time and effort everyone has put in to craft a schedule, to choose tests, and to put on the schooling show in the first place. I have scribed for many, many dressage tests and if I ever saw someone randomly dropping in additional movements just because they felt their horse needed it, I would be confused and pissed off, as would every judge I’ve ever worked with.

Now: are there situations in which you can essentially school in a show ring? OF COURSE. Here’s the difference: you have a conversation with the show organizers ahead of time. You say, we’re having a lot of trouble with the show atmosphere; would it be possible for me to ride my test just before a break, or during a break, or at the end of the day, or first thing in the day? You make it clear that if things go drastically wrong, you might need to stay in for a few extra minutes to school and fix it. You are polite and courteous and you don’t just do whatever you feel like.

I’ve done that. I’ve asked to go back in the ring at the end of the day. I’ve completely, utterly blown a test and, knowing there was a gap after me in the schedule, asked if I could go back in the ring and work it out for a few minutes. Most schooling shows are totally fine with that; it’s what they really want to do. In fact, I’ve scribed for judges that have sent me as a runner after a horse and rider that just exited the ring to ask them to come back and work in the ring for a bit after they’ve had serious problems.

But just deciding to ride something different on the spur of a moment? No. That does not make you a considerate rider who’s just doing the best for her horse. It makes you a jackass.

dressage

OH COME ON

We interrupt regularly-scheduled Rolex geekery to say ARE YOU #$@$@$#@ING KIDDING ME WITH THIS.

The ground jury for the Reem Acra FEI World Cup Dressage Final Grand Prix has denied the protest filed April 25 by Swedish rider Patrik Kittel about flowers around the dressage arena. Some of the flowers were not around the ring for the arena familiarization period. Kittel’s horse, Watermill Scandic HBC, spooked in the first extended trot movement in the Grand Prix test, and Kittel filed an official protest with the Gothenburg show office. Kittel finished 10th in the class.

Ground Jury Denies World Cup Dressage Protest 

Seriously. SERIOUSLY?!? He filed a protest because there were some additional flowers around the ring and he can’t keep his horse focused? GROW UP ALREADY.